The American Idiot three-piece haven’t played a UK festival since 2005 and next summer might just be the time they make a long-awaited return. I’ve always had a soft spot for Green Day and was attracted to their accessible punk-rock from a young age. Now with a prospective ninth studio album being the band’s prime focus, after the very successful American Idiot Broadway show, America’s punk-rock saviours would be the perfect headliners for Reading & Leeds. Green Day may not be everyone’s cup of tea, but they’ve got tons of classic hits and truly capable of a spectacle. If you don’t believe me, watch the video below.
The Stone Roses
"This is a live resurrection, and you're invited, so you'd better be there."
The legendary Manchester band have famously reformed after parting ways 1996. With three massive sold-out shows at Heaton Park lined up and a number of European festival slots including a headlining gig at T in the Park, the four-piece will be on many-a-festival’s wish list for 2012 . Having been a seminal band of the 80’s and 90’s, can Ian, John, Reni and Mani relive their former glories?
P.S. Fans of V Festival should watch this space as the band are strongly rumoured to make an appearance.
The Killers
I’ve missed The Killers a lot. They’re a favourite band of mine, one of the most popular alternative artists of this generation and have their name to numerous stadium (or festival) filling anthems. NME readers also seem to agree after voting When You Were Young and Mr Brightside 1st and 2nd respectively on a poll of the greatest indie anthems ever. Having announced a short hiatus in January 2010 after being on the road for around six years, lead singer Brandon Flowers seized the opportunity to embark on his hit-and-miss solo project. During this time away no one’s filled the massive void left by the Vegas band. After returning this summer to play a number of shows including a slot at Hyde Park’s Hard Rock Calling, the band are back for good and are being eyed up by nearly every festival going. With their fourth studio album Battle Born on the way, 2012 may just be The Killers’ year. Keep your fingers crossed.
Coldplay fans the world over are excitedly readying themselves for the band's fifth studio album, Mylo Xyloto (don't ask me how to pronounce it!). Released worldwide tomorrow on EMI, the band - whose hits include 'Viva la Vida' and 'The Scientist'- have stated that they've looked to explore various avenues of music whilst developing the album. Describing Mylo Xyloto as a concept album following two characters in their search for love, bassist Guy Berryman has also said that they've been "brave and bold" with the songs featured on the record by exploring "modern, urban and dance influences".
Having already released two singles from the upcoming album, fans have been given a taster of what to expect from the four-piece's latest venture; with opinion being seemingly divided. I was very impressed with the life-affirming 'Every Teardrop Is a Waterfall'. The lively guitar riffs and stadium-pleasing sound of the maiden single is everything fans have come to love from Coldplay. Overall a safe, but nonetheless, impressive effort. The real crowd- splitter, though, is current single 'Paradise'. Posted online last month to a mixed reception, the track has a strong R&B feel to it which sounds light-years apart from the Coldplay circa 'Parachutes'. Similar to many other Coldplay songs, it's catchy. However, I expect more from the band. Lyrically and musically it's just not special enough and for a group who freely admit that their lyrics are "a bit shit", you'd guess that they'd try a bit harder to replicate the success of far more memorable hits such as 'Clocks' and 'Fix You'. Even when you strip back the soulful groove to of 'Paradise', you're left with a samey Coldplay tune complete with the token “woahs”.
The video to 'Paradise' isn't that much better either. Opening to a set of promising cinematic frames, I was hoping for an impressive music video which did justice to the conceptual theme of the album. However, as soon as the dodgy elephant costume came into shot, my hopes were dashed. I can see what the band were trying to achieve with the video, but for me it just doesn't work. Instead of being charming, it comes out looking amateur. Watch the Mat Whitecross directed video below to make up your own mind.
Another major talking point is the track 'Princess of China' which features Rihanna on vocals. Going by the credentials of Coldplay, this is a very strange move. Having probably arisen during brunch with Chris Martin and his pals Jay-Z and Kanye West, this collaboration seems like an obvious marketing tactic for the band as they look to reach a wider audience with 'Mylo Xyloto'. However with Martin praising the track as his favourite bit of the album, us punters will have to wait and see whether the risk pays off when the album drops.
With 'Mylo Xyloto', Coldplay have looked to develop musically as a band. Whilst spending months in the studio experimenting with new sounds and styles, Martin and the gang are in search of that masterpiece album à la 'Achtung Baby'/'OK Computer'.
Coldplay are often regarded as the bully boys of alternative music. Constant disapproval from those that claim the music is too boring and that they've been on a downward spiral ever since their hit album 'A Rush of Blood to the Head' means that the band have a massive point to prove. As Coldplay look set to embark in a daring, new direction, 'Mylo Xyloto' may be the seminal album Coldplay need to shut the haters up once and for all.
Coldplay's incredible set closer at Glastonbury shows the potential of their new material:
Have you ever asked yourself the question; ‘what one band could I happily listen to for the rest of my life?’ During the summer I found myself constantly trying to answer this question. When I came to a conclusion, I was pretty happy with my decision. This band had pretty much been the soundtrack to my summer and with their new album looming for release when I got back from Spain, it had to be Bombay Bicycle Club.
I’d written an article a few months back about the upcoming release of ‘A Different Kind of Fix’, and to say I was excited was an understatement. After being hooked on their sophomore release ‘I Had the Blues…..’ and equally as impressed by their acoustic effort, ‘Flaws’, I was sure that Bombay’s next release would not disappoint. And you guessed it, it really didn’t. I was already quite familiar with the haunting, atmospheric title track 'How Can You Swallow So Much Sleep' from its earlier release as part of the Twilight soundtrack. What really got to me, however, was the band's transition in sound from their early material to now.
Making their way back to their electric roots after a lovely acoustic break in the form of 'Flaws', it would be an easy mistake to expect an album based heavily on memorable hooks and riffs similar to that of 'I Had the Blues....'. But no, this is an entirely different package; or as the album title suggests, 'A Different Kind of Fix'. Admittedly the album does require two or three playbacks, but what the listener gets in return is more than rewarding. And the harder you dig, the more gems you'll discover.
One of the standout tracks on the album is 'Leave It'. It's just one of those songs that you can't help your feet from tapping along to. The bridge before the chorus is also worked very nicely with the inclusion of Lucy Rose's vocals. Having already worked with the band after meeting lead singer Jack Steadman a few years back, Rose has had an integral relationship with the band ever since. Having lent her vocal to the title track of 2010's acoustic album 'Flaws', the singer-songwriter features heavily on Bombay's latest effort. Whilst also helping out the band at live shows (watch below), the talented singer gives tracks like 'Fracture' and 'Leave It' an extra dimension with her angelic tones perfectly complementing Steadman's vocals.
Personal favourite of mine off the EP is 'Lights Out, Words Gone'. Released just recently as the follow up single to 'Shuffle', the band here prove they've got more than enough soul. Driven by the fantastic bass playing of Ed Nash accompanied by some lovely muted riffs, the song is a real delight to listen to. You just might even want to get up and dance if the video is anything to go by.
The four-piece, who have recently embarked on their biggest UK tour to date, have hit a winner with 'A Different Kind of Fix.' Musically, the band have grown into themselves. All twelve tracks on the album have been beautifully crafted and the instrumental build-up in some songs is almost orchestral. Frontman Jack Steadman's songwriting has also developed impressively. The lyrics now have far more resonance compared to those featured in previous material and in terms of the album's production, it's faultless. What's evident is that the band have put a lot of love and care into the making of their third album and if you've followed the band ever since their early days, it's almost as if you can hear the band growing up.
One last thing to remember is how old the Bombay lads actually are. Being only about 21 years old, the band's progress is simply remarkable. To release three excellent, such mature sounding albums so early in their career is only shadowed by the prospect of what's to come from Bombay Bicycle Club. At the present, Bombay stand in good stead for album of the year and if they fail to get a look in at next year's Mercury Prize then something's wrong. If you haven't already, I urge you to check out 'A Different Kind of Fix' as soon as possible. You can thank me later.
If you like The Vaccines and The Killers then you are gonna love Spector! After a couple of unsuccessful cracks with both 'Les Incompetents' and 'Ox.Eagle.Lion' and a failed career as a Where's Wally impersonator (this may not be entirely correct), lead singer Fred Macpherson is pulling out all the stops this time.
Following a tad of soul searching, Macpherson decided to write songs inspired by the music from his adolescence. "It was about trying to connect with what music was from 2001 to 2003 - The Strokes, The Rapture, The Von Bondies, Yeah Yeah Yeahs, music for my 15 year old self," he discloses. What he forgot to mention was the fact that the songs he had written were absolute belters. Debut single 'Never Fade Away' is a storming anthem of a love song, narrated perfectly by Macpherson. "You know I’ll never fade away, but if I do, it'll be because you ask me to."
Seeing as they're off to support Kaiser Chiefs as well as having an album in the pipeline for release early next year, it's time to get excited. After all, Fred's gang may just be here for quite some time. Ladies and gentlemen, there you have it: Spector - the future of independent music.
Lou Reed? Metallica? Joint album? What the f**k? Yes, it's true; these two musical behemoths are teaming up for a collaborative album set for a worldwide release on October 31. Spooky stuff.
Based on playwright Frank Wedekind's play, 'Lulu' revolves around the tragic life of a dancer. Recently banned by the London Underground for looking too much like graffiti, the album cover features an armless, old mannequin with the album's name sprawled across the image. Now is it just me or does this look nothing like graffiti to you? And surely the fact that it looks like the title has been written in blood is far more offensive than just graffiti. Check out the freaky cover below to make up your own mind.
Album covers aside, this LP has drummed up a lot of hype following a statement from Metallica saying that they found themselves "sobbing away" when they recorded the "amazing poetic lyrics" for 'Junior Dad. But never mind tears from the heavy metal hard men, it's former Velvet Underground front-man Reed who has surprised everyone by claiming this collaboration is "the best thing I ever did".
Seeing as this is one of music's most unlikely pairings, you're probably wondering what the hell 'Lulu' is going to sound like. Well, you're in luck because this week MetalliReed (it could catch on) posted a short clip online of their forthcoming album's first single. Have a listen to the, erm, strange clip of 'The View' below:
There are also set to be a number of long tracks on 'Lulu' with two songs being both over 11 minutes long and 'tear-jerker' 'Junior Dad' lasting a whopping 19 minutes and 28 seconds. 'Lulu' just seems to be getting weirder by the minute! Whether it's a classic or a mere shambles, 'Lulu' will no doubt be something special.
The tracklisting for 'Lulu':
'Brandenburg Gate'
'The View'
'Pumping Blood'
'Mistress Dread'
'Iced Honey'
'Cheat On Me'
'Frustration'
'Little Dog'
'Dragon'
'Junior Dad'
Coincidentally, Flaming Lips have described their equally as weird 'six hour song' project as Lou Reed's Velvet Underground meets Super Mario Bros. With fans giving donations in return for their name being sung out by lead singer Wayne Coyne, the epic song will benefit both the Central Oklahoma Humane Society and the Academy of Contemporary Music at the University of Central Oklahoma. Click here to listen to the gargantuan 'I Found A Star On The Ground' in full.
Here’s a little nugget of news for fans of The Black Keys to look forward. The Ohio double act, who are currently finishing up on their seventh studio album, have announced that they will embark on a UK tour in February 2012. Following up from their Grammy award winning album ‘Brothers’, both Dan Auerbach and Patrick Carney will be looking to showcase their as yet untitled LP which is due for release at the end of the year. Playing their biggest UK shows to date, The Black Keys will be bringing their bluesy rock to Nottingham, Edinburgh, Manchester and London.Only two tracks – ‘Little Black Submarine’ and ‘Lonely Boy’ – have been revealed from the new album’s tracklisting so far. However, the group have confirmed that the LP has been strongly influenced by the likes of The Clash and The Cramps.
Whilst the album sounds like a brilliant prospect to me, it will be interesting to see whether the duo can maintain their superb dynamic and put on a brilliant show at such large, demanding venues like Alexandra Palace and Nottingham Arena. Only time will tell.
The Black Keys will be performing at:
Nottingham Capital FM Arena (Feb 3) Edinburgh Corn Exchange (Feb 4) O2 Apollo Manchester (Feb 6) London Alexandra Palace (Feb 10)
Also on the cards for The Black Keys is Blakroc 2. This collaborative rap-rock album is set feature the likes of Mos Def, Wiz Khalifa and many other top rap artists but is yet to have been given a release date.
Dubbed as the Blues Brothers of Ohio, The Black Keys have a busy year ahead as they look to go out and impress with their seventh studio effort.
No, Tribes are not a bunch of native Indians complete with panpipes and fancy feathered headwear. Tribes are, in fact, the best new band to come out of London. Forming just last year, the four-piece are the love child of that other Camden favourite The Libertines with their mix of grizzly lad rock' If you’ve never heard of them before, let’s sum up Tribes quickly: Not amazingly talented, not incredibly original but a priceless ability to write a catchy hook. On the back of just one EP and a single, Tribes have tallied up a massive play count due to their sing-along effect. Don’t worry, even if you don’t know the words, humming will do. To find out for yourself check out the drag fest video for ‘Sappho’ below:
Whilst shunning promotion tools like Myspace, the group have got a real buzz about them, basing their initial success on their live gigs. Speaking of the matter, lead singer Johnny Lloyd said: "We didn't wanna do the MySpace thing really, didn't wanna do it all online. Just having 1,000 friends on MySpace doesn't mean your gigs are go"nna be busy." As an unsigned band their popularity grew to such an extent that Tribes were chosen to be the first unsigned band to do a Maida Vale session for Radio 1. Here, the boys from Camden proved that they had the live chops too.
What makes me really love Tribes is that they’re giving British guitar music another notch of hope. Basically they're gonna be a big deal and i predict them to blow up in a similar way to the Vaccines earlier this year. And on the back of being signed by Island Records a few months ago, I genuinely believe that this prediction could materialise.
Now that the hype machine is pretty much on overdrive, I suggest it’s time you join the bandwagon. Tribes are already supporting some big name bands this year like the Kaiser Chiefs, whilst also headlining their own 9 date UK tour and prepping their debut album ‘Baby’ for its January 2012 release. It’s a busy year ahead for the anthemic four-piece. To finish off, here’s Tribes with their Pixies-esque maiden single ‘We Were Children’:
That's it. Another Reading Festival has gone by, leaving a smokey haze over the deserted, muddy and tent-ridden fields at Little John's Farm. Seen by many punters as an uncharacteristically poor line up this year, tickets took longer than ever to sell and even hardcore festival goers turned their back on the legendary August event. Melvin Benn (the festival organiser) must have been pretty worried by the festival's reception in anticipation to the main stage's christening last Friday. The truth is, though, he had absolutely nothing to worry about as Reading Festival delivered a knockout blow once again.
I, myself, had an epic time at this year's bash whilst being able to witness some of my favourite bands as well as a myriad of breakthrough artists who are taking the music scene by storm. Racking up a view count of around 30 different performances, I knew it would be incredibly difficult to compile a 'Top 3' when looking back over the eclectic line up. However, taking everything into account from my terrific experiences over the weekend, I now present to you (in no particular order) my Reading Festival 2011 Top 3:
The Strokes
First up are the NY giants who headlined the Main Stage on Saturday night with their lo-fi, garage sound. Although, playing along with a minimalist style set up on stage, the quintet oozed coolness . Combining a pretty much greatest hits set with a few tunes from their new album Angles, The Strokes had the crowds entertained throughout. A nostalgic mix of classics along with a number of crowd-pleasing future hits seemed to be just the right ticket for a bustling and excited Saturday night audience.
Best Bit: When Jarvis Cocker joined the band for a rendition of The Cars' Just What I Needed.
Worst Bit: Julian's vocals were a bit off at some points, but we still love him!
Pulp
Playing just before The Strokes at Reading and headlining Leeds on the Sunday, Pulp came back with a bang that left everyone wanting more. After a tedious wait during soundcheck, the crowd were at fever pitch when Mr Cocker swaggered onto the Main Stage. Opening with 'Do You Remember The First Time?' and closing with 'Common People', Pulp offered up to Reading an unforgettable set jam-packed with Britpop, singalong gems. Being slightly wary before the set as Pulp are a band who made their name before my time, I was seriously impressed by their performance. So impressed, I had to put Pulp in my Top 3!
Best Bit: The mass singalong to 'Common People' as Pulp closed their set in a perfect fashion.
Worst Bit: Not alot really. Maybe a couple of songs didn't get the crowd going as much but it was still an excellent set.
Muse
One of the biggest and best live bands in the world graced the final Main Stage slot of the weekend and took the whole festival's breath away. Playing 'Origin of Symmetry' in its entirety for the first half of the set, hardcore Muse fans were treated by Matt Bellamy and co. Later on though, the not-to-so-hardcore fans of Muse were also indulged with a mammoth greatest hits set which closed with their legendary guitar anthem 'Knights of Cydonia'. Just before this though, I had a musical epiphany. As Muse's set came to a close, I came across the realisation that Muse just had to be the best live band I had ever witnessed. I now know why their stadium tours are in such demand and I will most definitely be keeping my eyes peeled for the next one. Truly exhilarating stuff.
Best Bit: The special effects, the stage set up and the grandeur in general. Also, 'Knights of Cydonia'.
Worst Bit: When I was bursting for a wee at the start. Some of the songs from 'Origin of Symmetry' didn't engage the crowd that much.
Notable mentions also go to My Chemical Romance who dug deep and excited the audience with a brilliant, underdog-like performance. The band, who were famously bottled in 2006, came back and proved many wrong with a setlist packed with memorable hits. Also, Brian May made an encore appearance for 'We Will Rock You' and 'Welcome To The Black Parade'. Not too shabby at all. Friendly Fires were another band who got the crowd jumping and dancing like fools with their summery beats. Pretty impressive too seeing as it was extremely cloudy and on the verge of raining! Finally, Metronomy also deserve a big mention as they have risen up the festival's ranks to play a midday slot on the NME Stage. Their hits from Mercury Prize nominated 'The English Riviera' added a true touch of summer to the festival.
Just before I go on a nice little holiday, I’m here to divulge about another ‘One To Watch’; Battles. This group, hailing from The Big Apple, are a neat little Experimental/Math-rock outfit who have just dropped their massive second album, ‘Gloss Drop’.
Apart from having an awesome, yet slightly weird album cover, Gloss Drop delivers on so many tiers due to its experimental nature which progresses smoothly throughout the 12-track record. Stand-out song, and first single off ‘Gloss Drop’, is a shining example of what this progressive three-piece have to offer. The tune ‘Ice Cream’ is a summery, escalating affair that seems to continuously build momentum from the combination of the thrusting guitars and keyboard. I would definitely prescribe this song to any fans of bands like Foals and Metronomy who also aren’t afraid to showcase their exploratory sounds.
What also makes Battles a memorable listen is the fact that so many of their songs don’t feature a vocalist. There are exceptions, of course, such as the previously mentioned ‘Ice Cream’ which features guest vocalist Matias Aguayo; a fairly successful DJ/producer from Chile. For the majority of the album, however, Battles seem to cope just fine despite the absence of a vocalist. This is probably down to how comfortable they are with their instruments; which they probably look to promote as the focus of their music. Battles also have a tidy sense of rhythm which they incorporate really well into their music and unlike other similar bands, the New York trio are producing some anthemic material which at times feels as though it is pushing firmly into the Dance bracket. The mind numbing ‘Wall Street’ is a pacey, toe-tapping and perfect amalgamation of everything that Battles bring to the table.
With every track off ‘Gloss Drop’ only seeming to tick more and more boxes whilst staking a case for the perfect summer soundtrack, Battles are truly heading in the right direction. Although taking approximately four years to follow up on their first album ‘Mirrored’, patience may be the key as ‘Gloss Drop’ receives critical acclaim from left, right and centre. Battles have produced a right gem of an album with ‘Gloss Drop’ but lets just hope the wait isn’t too long for their next outing.
What’s about to come is a MASSIVE slice of news that I’ve personally been waiting for (with my fingers crossed) for ages. Now that it’s finally been announced and given a title, I am pleased to say that the Red Hot Chili Peppers are set to release their new album on the 30th of August. The record, entitled ‘I’m With You’, will be the LA punk veterans’ 10th studio album. Shortyly after naming the album, the Chilis also unveiled its intriguing album artwork which has been designed by the iconic Damien Hirst. The abstract album cover, which can be seen below, has been described by lead singer Anthony Kiedis as just, ”an image. It’s art.” This however will, no doubt, still leave a number of fans racking their minds for the meaning behind it.
Moving aside from the “iconic” artwork; most of us want to know if the album is actually going to be any good. I myself am so excited by the prospect of ‘I’m With You’ because its a genuine chance for the group to prove themselves again after a four year break following the release of ‘Stadium Arcadium’, which I considered to be a slight let-down considering the world class stature of the band. I am also interested as to how newbie Josh Klinghoffer will fit into the band after the legendary John Frusciante’s departure from the group. This will, no doubt, be a giant step up for Klinghoffer who has yet to really prove his mettle although working with Warpaint, Beck and other big names as well as assisting the Chilis on their ‘Stadium Arcadium’ tour. Klinghoffer, however, has appeared in various official press shoots which have surfaced online via the official Red Hot Chili Peppers Facebook page. Adding a youthful touch to the images, which make you realise how long the Chilis have been around for, Klinghoffer is seen with companions Flea, Chad Smith and Anthony Kiedis in what looks to be a fairly lo-fi photoshoot. Keep an eye out for these photographs at the bottom of the page and note Kiedis’ questionable/epic choice of facial hair.
If this nugget of news has whetted your appetite and you fancy yourself a brand spanking new taste of Red Hot Chili, then tune in to Zane Lowe’s Radio 1 show on July 18 at 7:30pm for an exclusive first play of the upcoming album’s maiden single, ‘The Adventures of Raindance Maggie’.
Worthy Farm’s annual mega music event has been and gone for another year, with some calling this year’s edition of Glastonbury one of the best yet. Unfortunately though, Glasto will be a no-show next year as the farm looks to take a fallow year, coinciding nicely with the London Olympics. The great Michael Eavis (founder of the festival in case you didn’t know) himself said that he wanted to make up for next year’s absence by bringing out all the stops with a stellar line up packed with variety. And undoubtedly, Mr Eavis did this by bringing out a multitude of stars and breaking new bands over dozens of stages. However, the star act of the weekend was nowhere to be seen on the line up. Billed as special guests on the Saturday, Pulp followed suit from Radiohead who surprised thousands of fans the day before on the Park Stage. When I say surprise, though, I mean it was one of the worst kept secrets of all time.
A record 30,000 attendees flocked to the Park Stage after it had been exposed by The Sun that 90′s Indie legends Pulp would return to Glastonbury as special guests after headlining the event in 1995 and 1998. Led by the dapper wordsmith Jarvis Cocker, the crammed crowd were left astonished by a career-spanning greatest hits set which featured anthems like ‘Disco 2000′ and ‘Do You Remember The First Time?’. Finishing on their biggest hit, ‘Common People’, the six-piece collective once again marked their stamp on the festival’s history whilst also providing the perfect soundtrack to this year’s Somerset gathering.
After a nine year hiatus it seems like we need Pulp more then ever to offer us a nostalgic revisit back to Jarvis’ quirky lyrics and the catchy tunes that helped to define the Britpop era as well as cementing Pulp’s place as one of Britain’s greatest Alternative acts. The evening can be summed up very aptly with Cocker’s greeting to the gargantuan crowd: “Well, you didn’t think we’d let you down, did you?”
Pulp played:
‘Do You Remember The First Time?’
‘Joyriders’
‘Razzmatazz’
‘Acrylic Afternoons’
‘Something Changed’
‘Disco 2000′
‘Sorted For E’s & Wizz’
‘Like A Friend’
‘Babies’
‘Mis-Shapes’
‘Live Bed Show’
‘This Is Hardcore’
‘Sunrise’
‘Common People’
Hey guys, I’ve decided to add a new weekly(ish) feature to my music posts. I’ll be focussing on the ones to watch in the music industry so I’ve cleverly decided to name the feature ‘Ones To Watch’ (cue round of applause). Anyway, enough of the intro, lets get things under way.
So, right now you may be thinking “who will be the prestigious first ever Ones To Watch?!?!”. Now this was a hard choice until I realised that their new single was the first song on my Spotify to have surpassed the dreaded 5 plays limit. The single, named ‘Houdini’, belongs to Indie Pop band Foster The People. This group from LA have a TON of hype surrounding them right now after a bunch of incredibly well received gigs at this year’s SXSW Festival in Austin. And just after checking out their first single ‘Pumped Up Kicks’ on YouTube, which has surpassed 2 million hits, this band couldn’t be any hotter.
Agreeing to the opinion of many a critic, I would liken Foster The People to a slightly more radio friendly MGMT/Empire Of The Sun. If you’re finding yourselves liking the sound of that, then I seriously recommend checking out their mellowed out first single below – which is a dead cert for one of the hits of the summer:
However, what really caught my attention regarding FTP was their shiny new single ‘Houdini’. This track has been rightfully dubbed the stand-out song off FTP’s summery debut album ‘Torches’ (released June 27) due to its upbeat, synth driven feel which perfectly accompanies Mark Foster’s smooth vocals. So what are you waiting for. Get up off that seat, give ‘Torches’ a listen on full blast and join the crowds at this year’s biggest UK festivals to get a nice live slice of Foster The People.
Foster The People are set to appear at: Reading & Leeds, Lovebox, Latitude and this weekend’s mighty Glastonbury festival!
Don’t forget to keep your eyes peeled for future editions of 'Ones To Watch' for your latest, up to date fix of the freshest music.
This week, Bombay Bicycle Club announced the details surrounding the release of their third EP, a follow up to 2010′s Ivor Novello nominated acoustic album Flaws. The band, who are a quartet from London, revealed that the eagerly anticipated record will be released on August 29. This is to be preceded by the single Shuffle which will get its world exclusive airing on Zane Lowe’s Radio One show on June 22. The album which is titled ‘A Different Kind Of Fix’ was recorded in Atlanta, London and Germany, with work on the album beginning late 2010.
It is also revealed that the band have looked to venture down an intriguing new route, with the group going back to their electric roots as well as the introduction of synths and layered vocals. Frontman Jack Steadman has previously hinted to this when stating, “The first time I played it to any of my friends was at a house party and none of them believed it was Bombay Bicycle Club.” Bombay’s forthcoming album has been produced by both Animal Collective producer Ben Allen and Jack Steadman. This news defines an extraordinary journey for Bombay Bicycle Club who first came into the fray after winning Channel 4′s Road To V competition in 2006 which saw them bagging the opening slot at the 2006 V Festival on the Channel 4 Stage.
The tracklisting for ‘A Different Kind Of Fix’:
‘How Can You Swallow So Much Sleep’
‘Bad Timing’
‘Your Eyes’
‘Lights Out, Words Gone’
‘Take The Right One’
‘Shuffle’
‘Beggars’
‘Leave It’
‘Fracture’
‘What You Want’
‘Favourite Day’
‘Still’
And if you literally cannot wait for the August release, then check out a taster by watching a live performance of ‘Beggars’ below.
Although the fourth studio album by The Strokes has been written off by some who claim that the LP fails to live up to what we have come to expect from the New York based quintet (with releases like Is This It and Room On Fire), in my opinion it is one the best albums of 2011 so far. This is because what Angles requires is patience and a lot of re-plays. Whereas songs like Under Cover Of Darkness and Gratisfaction will hook the audience on their first listen, other intricate tracks like Games and Machu Picchu will need to be played various times for the listener to come to terms with the transition that The Strokes have made from the raw and uncompromising Last Nite to where they are musically now. Even if after hearing the 10 track album album a few times you are still disappointed, there is a silver lining. Angles shows some clear signs of promise for the future of The Strokes.
Reading articles like Tim Jonze's on The Guardian's website (read here) which explain the tension between the band during the recording process of Angles seems to clash with the smooth and flowing integration from the band which emanates from highlight tracks such as Taken For A Fool (released on May 24, 2011). Furthermore, recent live appearances from Later with Jools Holland show a band who work exceedingly well as a unit and most importantly, are making great sounding music. After bagging summer headline spots at top festivals like Reading & Leeds, Coachella and Benicassim, the long term future looks bright for the Strokes who are currently back in the studio looking at new ideas for the follow-up to Angles. And for fans who are still feeling a sense of worry regarding one of their favourite bands, lead guitarist Nick Valensi states: "I feel like we have a better album in us, and it's going to come out soon."
