What A Load Of Brit

Well the Brits were rubbish, weren’t they?

If it wasn’t the lame Mumford & Sons (who Jake Bugg aptly labelled “farmers with banjos”) playing their annoyingly pretentious folk-rock, it was the ever-present Emeli Sande equipped with her arsenal of monotonous songs.

Safe to say, the whole ceremony was a boring, predictable affair. This is most upsetting when you consider this year’s potential.

For the first time in ages, proper music had been rewarded with nominations, with bands like The Black Keys, Alt-J and The Vaccines finally getting the mainstream recognition they deserve.

Proper bands, with proper instruments and proper songs (and a few dodgy haircuts) – I was getting excited.

But nothing says anti-climax like the chino-donning One Direction successfully murdering two classics while half the nation’s teenage girls confess their eternal love for Harry Styles.

Admittedly there were a couple of cool moments, including Muse’s theatrical opening performance and The Black Keys winning the gong for Best International Group, but the ceremony seemingly epitomised the death of British rock ‘n’ roll.

Gone are the days when bands like Oasis and Blur would dominate the awards, and scandalous acts from cult icons like Jarvis Cocker would make the event go down in history.

Don’t get me wrong – British rock music still thrives, but its no longer adored like it used to be.

This time next year there might be a saviour of guitar music to save the Brits, or Mumford & Sons might man up and play some real music. Who knows?

Frank Ocean's Channel Orange

Frank Ocean is an artist that could define a generation.

Surprising fans, Ocean brought forward the release date of his second album (and debut studio album) by a week, meaning it available to purchase now. As a testament to his meteoric rise in popularity due to his alliance with OFWGKTA and appearances on Watch The Throne, Channel Orange currently sits happily at the top of the iTunes chart. This is a deserved feat for the New Orleans singer, and sometimes, rapper.

Frank Ocean doesn’t just break boundaries on a sonic level, with his recognisable brand of smooth, thoughtful and mature R&B, but also as a character. Being a member of red-hot rap clique, Odd Future, he is bound to have an enigma, and preconceptions, attached to him. However, Ocean could be described as the countertype of the average R&B star. He speaks in wise, eloquent fashion and carries himself very well during interviews, often giving meaningful insight into his artistic output.

But, the most ground-breaking side to Ocean was only revealed a few days ago. Via a message on his blog (read here), the singer came out as gay, making him the first current black R&B star to do so. This letter, written with impeccable prose, took a great deal of courage, which Ocean should be commended for. But from what has been outlined before, it is clear that Frank Ocean does not adhere to norms. Originally intended for the album notes of Channel Orange, the singer’s message may be a catalyst to a change in the R&B industry as we know it.

This moves us on to the focus of this post: Channel Orange. Aside from the artist’s personal life, the album gives Ocean a chance to really prove himself on a musical platform.  As the album boasts a whopping 17 tracks, I will pick out and dissect only a few highlights to whet your appetite. The first song to catch my attention, Sweet Life, was released shortly before the album. Although the backing music is minimal, its jazzy, soulful groove combines sweetly with Ocean’s smooth vocals whilst also allowing them to take centre stage. It’s also here where I began to note the upgrade in production from the singer/songwriter’s first mixtape, Nostalgia Ultra. This was particularly notable after realising it had been co-produced by Pharrell Williams.

The next highlight may be far more recognisable for you readers, as it surfaced online a while back. Thinkin Bout You is a hypnotic lullaby that climaxes perfectly with Ocean’s falsetto at the chorus. Throughout the album, it is undeniable that Frank Ocean possesses a strong talent. He often exhibits his neat vocal range with an array of riffs and pitch changes. Thinkin Bout You exemplifies this.

The next two tracks both include guest features; a rare occurrence for the album. The first to collaborate with Frank is rapper Earl Sweatshirt on Super Rich Kids. Earl, the youngest (and most promising) member of Odd Future, drops a tight verse which follows the song’s theme of wealth and society. My favourite thing about the song, though, is its thumping, uplifting beat which contradicts the predominantly negative lyrics.

Finally, we have Pink Matter, featuring the eternally cool Andre 3000. It is a sensual love song which Ocean delivers like a natural. However, with this track, it is safe to say that “Dre” steals the spotlight. Following his sublime appearance on The Real Her from Drake’s Take Care, 3000 once again contributes expertly with his unique. And, once again, I long for the next Outkast album. If Andre 3000’s verse was to be removed, I’m not sure if the song would be as powerful, but nevertheless, Ocean’s vocals are flawless.

I’ve only picked a few highlights out because I think it’s best for you to listen to the album yourself and draw your own conclusions. I strongly recommend you give Channel Orange a go, even if you think it won’t be your cup of tea. You may be surprised. Frank Ocean is an entity. He is one of those artists you can still envisage going strong for years to come. Both with and without music, I believe Frank Ocean will inspire many future artists. Indeed, Frank Ocean is an artist that could define a generation.

The Cribs - Glitters Like Gold

In my eyes, Glitters Like Gold is probably The Cribs’ best track yet. Scheduled for release as their second single from their fifth studio album, In the Belly of the Brazen Bull, it harnesses a greater sense of maturity compared to previous efforts and highlights the band’s growth as songwriters. However, fans of the group’s earlier, edgy material don’t have to fret, as the song still retains the same garage rock vibe that propelled the three-piece to stardom.

Musically, the single is best described as a hybrid of their grungy, early sound with the sophisticated composition of Ignore The Ignorant, where the iconic Johnny Marr joined the Jarman brothers. Glitters Like Gold is a swooning and melodic affair which sees the band hit a new territory that should excite fans and critics alike. And with its quality chorus, there’s no doubt in my mind that the song will be promoted to set-closer in years to come.

Check out the lo-fi, amateur-styled official video, which accompanies the track perfectly, below:

Also, if you’re a big fan of the Wakefield band, then check out the interactive video for Glitters Like Gold by clicking on this link.

Enjoy, and until next time.

Radlands

After a long, hard think, I’ve decided to dedicate this post to one of my favourite bands at the moment; the Mystery Jets. Their long-awaited fourth studio album, Radlands, was released in April and although I haven’t been able to have a thorough listen of it, there are a few choice cuts that I’d like to share with everyone.

With the group upping sticks and moving to a shack in Austin, Texas to record, the album channels a strong American vibe throughout. But as a band whose sound is constantly evolving, a unique British element is ever-present and gives the record a cutting edge.

The first song from Radlands that caught my attention was its maiden single, Someone Purer. A simple melody throughout the intro and first verse eventually builds up to a scintillating rallying cry accompanied by the sing-along hook of “give me rock and roll”. This track has a really life-affirming, anthemic tone and sets an incredibly strong standard as the first single.

Another highlight of the album is Greatest Hits, the fifth song on the tracklisting. The song’s story is a lovely journey into the musical back catalogue of a couple’s relationship and although having a tame intro akin to a number of standard folk songs, the real magic comes from Blaine Harrison’s neat lyricism and the catchy chorus complete with pop-inspired “shalalala”’s. Greatest Hits is definitely one of those songs that you felt you’ve heard before and its feel-good nature ensures it will be one of many in a batch of new fans favourites.

The final song, and my favourite track in this mini review, is The Hale Bop. Scattered with brilliant falsetto parts which contrast nicely with William Rees’ gravelly voice, this is one that’s bound to make your toes tap. The Hale Bop is also one of the tracks that is most inspired by Radlands’ Texan, country music roots with the incorporation of intricate guitar riffs entwined with each rendition of the chorus. Having always personally viewed the Mystery Jets as a perfect summer band, this song helps them to live up to that expectation and I’m certain it won’t go amiss in this summer’s festival scene.

Radlands is the Mystery Jets’ most mature record yet. It takes influence from a number of genres to make for a unique album which is likely to place well in the majority of end-of-year lists and polls.

As it’s been a long time since my last post, I will look to update articles on here more frequently. Keep your eyes peeled.

5 Artists To Look Out For In 2012

ASAP Rocky

A self confessed 'pretty motherf**ker' hailing from Harlem and fast becoming the hottest new act in US rap. Rocky's big-name fans include Drake, who invited Rocky to support him on his US Club Paradise tour. Having reportedly signed a multi-million pound record deal with Sony, the former fashion student's sound will appeal to the alt/indie type, with Rocky citing influences ranging from MGMT to Cee-Lo Green. Similar to that of Tyler's Odd Future, Rocky has created his own universe with the A$AP Mob; a collective of like-minded Harlem rappers and pals featuring the likes of A$AP Ty Beats and A$AP Dom to name a couple.  This is definitely one to look out for if your a fan of psychedelic avant beats and artists like Tyler The Creator and Kid Cudi.

Download ASAP Rocky's latest mixtape 'LiveLoveA$AP' for free which features stand-out track Peso.

Tribes

Camden's answer to The Libertines. Surprisingly, Tribes were an omission from the BBC Sound of 2012 list so they'll be looking to impress when debut album 'Baby' hits stores later this month. Packed with sing-a-long anthems such as 'Sappho' and 'We Were Children', you can bet your bottom dollar that these lads will be a massive hit on the 2012 festival circuit. Having made their name last year as an unsigned band on the underground scene, this is the year that Tribes go big time; and a slot on the NME Awards Tour supporting Two Door and Metronomy is a promising start.

'Baby' is released in the UK on January 16.

Spector

This group, who caught my eye late last year, will be suited and booted as always as they look to break-through this year. Charismatic frontman Fred Macpherson has been band-hopping a fair few times in recent years, but Spector really do look a cut above the rest with Fred giving the outfit some real zest. Looks aside, it also helps that the tracks they've released so far have been absolute corkers. 'Never Fade Away', a particular favourite of mine, is a gorgeous pop-rock love song which builds throughout. If you love indie heroes The Killers and The Strokes, then Spector may be your new favourite band.

Check out Spector's latest single 'Chevy Thunder' below.

Frank Ocean

Also known as the most likeable member of OFWGKTA, Frank Ocean is the polar opposite of the clique's foul-mouthed and outspoken leader, Tyler The Creator. With his smooth vocal and brilliant wordsmanship (he's written songs for John Legend, Beyoncé and more), you wouldn't be surprised if even your mother took a liking to him. Considered as one of the hottest properties at the moment in the R&B market after appearing on Jay-Z and Kanye's 'Watch The Throne', Ocean will look to steal the show in 2012 when his first studio album is released. In the meantime, you can get into the groove by downloading Ocean's amazing mixtape by clicking the link below.

Download Nostalgia, Ultra here!

Howler

The latest exciting import from the States. Howler's lead singer Jordan Gatesmith was listed at no. 44 on NME's Cool List for his classic garage rock style; a style that pretty much defines the band. Taking note from legends like the Ramones and Iggy Pop, Howler will be hoping to lead a rock'n'roll resurgence in 2012.  Their distinctive sound is packed with neat melodies and a grittiness that is lacking heavily in today's industry. Could Howler be the saviours of rock this year? We'll have to wait and see.

Listen to the new album in its entirety exclusively on NME.COM.

Comment below and tell me who else to look out for in 2012. Until next time.

My Perfect Headliners For 2012

Green Day

The American Idiot three-piece haven’t played a UK festival since 2005 and next summer might just be the time they make a long-awaited return. I’ve always had a soft spot for Green Day and was attracted to their accessible punk-rock from a young age. Now with a prospective ninth studio album being the band’s prime focus, after the very successful American Idiot Broadway show, America’s punk-rock saviours would be the perfect headliners for Reading & Leeds. Green Day may not be everyone’s cup of tea, but they’ve got tons of classic hits and truly capable of a spectacle. If you don’t believe me, watch the video below.

The Stone Roses

"This is a live resurrection, and you're invited, so you'd better be there."

The legendary Manchester band have famously reformed after parting ways 1996. With three massive sold-out shows at Heaton Park lined up and a number of European festival slots including a headlining gig at T in the Park, the four-piece will be on many-a-festival’s wish list for 2012 . Having been a seminal band of the 80’s and 90’s, can Ian, John, Reni and Mani relive their former glories?
P.S. Fans of V Festival should watch this space as the band are strongly rumoured to make an appearance.

The Killers

I’ve missed The Killers a lot. They’re a favourite band of mine, one of the most popular alternative artists of this generation and have their name to numerous stadium (or festival) filling anthems. NME readers also seem to agree after voting When You Were Young and Mr Brightside 1st and 2nd respectively on a poll of the greatest indie anthems ever. Having announced a short hiatus in January 2010 after being on the road for around six years, lead singer Brandon Flowers seized the opportunity to embark on his hit-and-miss solo project. During this time away no one’s filled the massive void left by the Vegas band. After returning this summer to play a number of shows including a slot at Hyde Park’s Hard Rock Calling, the band are back for good and are being eyed up by nearly every festival going. With their fourth studio album Battle Born on the way, 2012 may just be The Killers’ year. Keep your fingers crossed.

Coldplay's 'Mylo Xyloto' Nears Release.

Coldplay fans the world over are excitedly readying themselves for the band's fifth studio album, Mylo Xyloto (don't ask me how to pronounce it!). Released worldwide tomorrow on EMI, the band - whose hits include 'Viva la Vida' and 'The Scientist'- have stated that they've looked to explore various avenues of music whilst developing the album. Describing Mylo Xyloto as a concept album following two characters in their search for love, bassist Guy Berryman has also said that they've been "brave and bold" with the songs featured on the record by exploring "modern, urban and dance influences". 

Having already released two singles from the upcoming album, fans have been given a taster of what to expect from the four-piece's latest venture; with opinion being seemingly divided. I was very impressed with the life-affirming 'Every Teardrop Is a Waterfall'. The lively guitar riffs and stadium-pleasing sound of the maiden single is everything fans have come to love from Coldplay. Overall a safe, but nonetheless, impressive effort. The real crowd- splitter, though, is current single 'Paradise'. Posted online last month to a mixed reception, the track has a strong R&B feel to it which sounds light-years apart from the Coldplay circa 'Parachutes'. Similar to many other Coldplay songs, it's catchy. However, I expect more from the band. Lyrically and musically it's just not special enough and for a group who freely admit that their lyrics are "a bit shit", you'd guess that they'd try a bit harder to replicate the success of far more memorable hits such as 'Clocks' and 'Fix You'. Even when you strip back the soulful groove to of 'Paradise', you're left with a samey Coldplay tune complete with the token “woahs”. 

The video to 'Paradise' isn't that much better either. Opening to a set of promising cinematic frames, I was hoping for an impressive music video which did justice to the conceptual theme of the album. However, as soon as the dodgy elephant costume came into shot, my hopes were dashed. I can see what the band were trying to achieve with the video, but for me it just doesn't work. Instead of being charming, it comes out looking amateur. Watch the Mat Whitecross directed video below to make up your own mind.

   

Another major talking point is the track 'Princess of China' which features Rihanna on vocals. Going by the credentials of Coldplay, this is a very strange move. Having probably arisen during brunch with Chris Martin and his pals Jay-Z and Kanye West, this collaboration seems like an obvious marketing tactic for the band as they look to reach a wider audience with 'Mylo Xyloto'. However with Martin praising the track as his favourite bit of the album, us punters will have to wait and see whether the risk pays off when the album drops.

With 'Mylo Xyloto', Coldplay have looked to develop musically as a band. Whilst spending months in the studio experimenting with new sounds and styles, Martin and the gang are in search of that masterpiece album à la 'Achtung Baby'/'OK Computer'.

Coldplay are often regarded as the bully boys of alternative music. Constant disapproval from those that claim the music is too boring and that they've been on a downward spiral ever since their hit album 'A Rush of Blood to the Head' means that the band have a massive point to prove. As Coldplay look set to embark in a daring, new direction, 'Mylo Xyloto' may be the seminal album Coldplay need to shut the haters up once and for all.

Coldplay's incredible set closer at Glastonbury shows the potential of their new material: