Live Review: Miles Kane @ Rock City [03/10/13]

“Every time I come here you blow my mind,” declares a riled up Miles Kane moments before delivering a triumphant encore. In the filled-to-capacity Rock City, the feeling is most definitely returned.

Following welcoming chants of “MILES, MILES,” the dapper rocker opens his set with a no-nonsense approach, matching the raucous crowd’s energy blow for blow. Avoiding any small talk, Kane offers a blend of tracks both old and new. The delightful Rearrange, from his debut album, is a pop gem with a swirling sixties vibe.

It’s clear to see from where the Liverpudlian draws his influences from, channelling a young Paul Weller both in style and sound. This rings true particularly with Better Than That – a buoyant feel-good song that nods at a bygone era. The track also best employs his band, with backing vocals adding to the nostalgic effect.

The show’s frantic pace is only halted a few times – allowing Kane to showcase a mellower, more thoughtful side to his artistry. Love songs like Take the Night from Me and My Fantasy are introduced as though he were a proud father.

The night’s highlight comes in the form of Give Up, which brilliantly features an excerpt of Sympathy for the Devil. The venue’s hazy atmosphere fittingly accompanies the legendary track’s burning crescendo. Many would consider a Stones cover a ballsy move, but Kane takes it in his stride, perfectly melding it into his setlist.

Possibly the most impressive part of Kane’s performance is his guitar playing. The sharply dressed 27-year-old swaggers across the stage caressing the instrument as though it was an attachment of his body. Hits at the tail end of the gig, Don’t Forget Who You Are, and electric set-closer, Come Closer, exemplify this talent.

A busy touring schedule and a devoted fan base means Miles Kane is fast cementing his status as an indie icon. And with a performance as tailored as one of his designer shirts, Kane can only be making more of a case for himself.