Showing posts with label capital fm arena. Show all posts
Showing posts with label capital fm arena. Show all posts

Monday, 15 December 2014

Kasabian @ Capital FM Arena [28/11/14]


As the 30 minute countdown reaches its last few seconds, the crowd are at fever pitch. Arguably one of the world’s best live bands, Kasabian, are about to flex their muscles on the first of their two-night residency at Capital FM Arena. Much has been made of their divisive latest album, but this is not a show to be missed.

The boys from Leicester jump out of the trap immediately with recent single Bumblebee – a maelstrom of tribal chanting and erratic guitar riffs. Other songs from new record 48:13 also go down a storm. Maiden single Eez-eh intimates a trippy Chemical Brothers vibe and sees the four-piece revisit an electronic dimension which turned so many heads on their eponymous debut album.

Treat follows suit, resplendent with a glorious breakdown which briefly slows the set’s pace down to a bubbling groove. All the while, enigmatic words like ‘cordial’ and ‘dhalsim’ are emblazoned on a gigantic pink backdrop behind the group. No-one knows what it means, but it’s provocative.

The group, fronted by the effervescent Tom Meighan, throttle through their set with a boisterous swagger. At times this may be confused with arrogance, but judging by the East Midlands crowd’s reaction to cuts like Shoot The Runner and Empire, who can blame them. The sharp-suited frontman has the Kasabian faithful hanging onto his every whim. Partner in crime, Sergio Pizzorno, is equally as alluring – even adhering to rock n’ roll’s cardinal rule of trashing his guitar before the show even hits full steam.

Most people are here for the hits, and there is little respite as the band trawl through an impressive back-catalogue – with both Underdog and Fire incurring mass sing-alongs. These beer-fuelled anthems, originally tailored for the Oasis-adoring nucleus, now stand tall as indie classics. Rounding the night off in style, the band introduce LSF with a euphoric rendition of Fatboy Slim’s Praise You – a highlight of the evening’s proceedings.

If anyone questioned Kasabian’s credentials as a live force before the show, the lads from Leicester have well and truly quashed any doubts with an explosive set to be reckoned with. In fact, they made it look eez-eh.

Sunday, 30 March 2014

Live Review: Drake @ Capital FM Arena [16/03/14]


A curtain rises to reveal an innovative stage setup consisting of a sleek, galactic-inspired runway backed by ethereal, mesmeric imagery. Aubrey Graham, better known as larger than life superstar Drake, wants his show at the Capital FM Arena to be nothing but a spectacle.

The Toronto-born rapper ascends through a sheet of mist, accompanied by dazzling lights and pyrotechnics. Currently on a massive European tour in support of latest album, Nothing Was The Same, Drake is here to cement his status as the biggest name in hip-hop.

Although technically flawless, there is a jarring nature about the Canadian. Raw, bravado-fuelled tales of wealth and sexual conquests on tracks like The Motto are a million miles away from the introspective sincerity of Too Much – where Drake discusses family issues and personal anxiety.

The shift between themes may be bizarre, but the juxtaposition works – allowing Drake to trawl through his extensive back-catalogue.

Waltzing around the sparse stage donning a vest, the 27-year-old is on the charm offensive – regularly flirting with the Nottingham audience. The clichéd, “you’re the best crowd in the world,” is one of his many chat-up lines. The love-in can be overbearing at times, particularly when he takes to a platform hanging over the crowd, complimenting members of the audience.

Drake is really at his most impressive when the sole focus is on performance. Intimate, standout track, Hold On We’re Going Home, showcases a vocal prowess that can be easily forgotten nestled between mammoth beats and angry rapping.

Although disguised under conflicting styles, a hunger for greatness is the one constant theme in Drake’s work. Set-closer, Started From The Bottom, outlines the star’s explosive rise in the industry. The success is more than deserved. As shown tonight, Drake is a committed and hard-working entity, constantly propelling to newer heights.


Read more: http://www.nottinghampost.com/Review-Drake-Capital-FM-Arena/story-20819028-detail/story.html?mnb#ixzz2xTIrvVNP